Résumés
Résumé
L’iconographie consacrée à la femme de la mer est très riche et très diversifiée, mais la Sedna crucifiée de Bill Nasogaluak, réalisée en 2006, demeure une oeuvre singulière. Dans cet article, je montre comment cette représentation novatrice ne marque pas tant le début d’une nouvelle période de l’art inuit, qui continue à s’épanouir, mais peut-être une nouvelle étape dans la culture visuelle reliée à l’incorporation du christianisme par les Inuits. Elle montre également à quel point ceux-ci ont non seulement reçu profondément le christianisme, mais comment ils en perçoivent, peut-être mieux que nous, la part non-naturaliste, donc animique que nous, modernes convaincus, ne voyons plus.
Abstract
The Sea woman iconography is very rich and characterized by an important diversity. However, the Sedna on the cross, carved in 2006 by Bill Nasogaluak remains a unique piece of art. In this paper, I argue that this new image of the Sea woman does not characterize the beginning of a new period in Inuit art, but a new step in Inuit Christian visual culture. This art piece not only shows how Inuit have deeply adopted Christianity, it illustrates, eventually, how Inuit perceive better than us who are caught in our naturalist cosmology, how Christianity has also an animistic part which cannot be denied.
Parties annexes
Bibliographie
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