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Studies in Canadian Literature
Études en littérature canadienne

Volume 49, numéro 1, 2024 Special Issue Staging Strategies: Trends in Canadian Drama and Performing Arts Stratégies de mise en scène : tendances de l’art dramatique et des arts de la scène canadiens Sous la direction de Janne Cleveland et Cynthia Sugars

Sommaire (16 articles)

Introduction

  1. Staging Strategies in Canadian Drama and Performing Arts: Where Have We Been and Where Are We Going?

    Janne Cleveland

    p. 5–18

Articles

  1. “Sovereign Storytellers, Sovereign Space”: A Conversation about Indigenous Theatre with Kevin Loring

    Duncan McCue

    p. 19–34

  2. Counter-Memorial Documentary and Kincentric Honouring Practices in Marie Clements’s The Unnatural and Accidental Women

    Brenda Vellino

    p. 35–55

  3. “Not Everybody Who’s Peculiar Is Insane”: The Lavender Scare in Girl in the Goldfish Bowl

    Cynthia Sugars

    p. 56–81

  4. Resurgence of Land-Based Pedagogy in Yvette Nolan’s The Unplugging

    Claire Margaret Granum

    p. 82–102

  5. Performing Complaint in Contemporary Canadian Academic Drama

    Sasha Kovacs

    p. 103–123

  6. Wittgenstein’s Dreamer: Skepticism in John Mighton’s Possible Worlds

    Henri Feist

    p. 124–144

  7. Virtuality and Actuality in Janet Cardiff’s Solo and Collaborative Walking Tours with George Bures Miller

    Karl Jirgens

    p. 145–166

  8. Rethinking Liveness through the Digital Real: The Virtual as a Performance Venue in Empirical Theatre Research

    Kathleen Gallagher, Munia Debleena Tripathi et Lindsay Valve

    p. 167–185

  9. Performing Virtual Intimacy in Landline

    Amanda Montague

    p. 186–201

  10. Les trois exils de Christian E. ou l’hybridation conte-théâtre dans le monologue acadien

    Sandrine Duval

    p. 202–221

  11. “Wanting Justice . . . Wanting Answers . . . Wanting Change”: Staging Multiple and Diverse Identities in Canadian Theatre for Young Audiences

    Heather Fitzsimmons Frey et Belarie Zatzman

    p. 222–248

  12. Representing the Refugee Body: Liminality, Precarity, and Alterity in Ahmad Meree’s Suitcase/Adrenaline

    Fatme Abdallah

    p. 249–270

  13. Crossing Lines, Crossing Borders: The Translator’s Role in Subverting Power Structures in Naghmeh Samini’s The Child

    Ava Alavi et Rachael Powles

    p. 271–286

  14. Bringing Stories to the Screen and “Out of Silence”: An Interview with Hannah Moscovitch

    Kendra Guidolin

    p. 287–300

Notes on Contributors

  1. Notes on Contributors

    p. 301–305

Anciens numéros de Studies in Canadian Literature / Études en littérature canadienne