Parties annexes
Bibliography
- Bogle, Donald, 2001. Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Film. 4th edition. New York, Continuum.
- Brooks, Kinitra D., 2014. “The Importance of Neglected Intersections: Race and Gender in Contemporary Zombie Texts and Theories.” African American Review vol. 47, no. 4, pp. 461–75. JSTOR, http://www.jstor.org/stable/24589834.
- Cartier, Nina, 2014. “Black Women On Screen as Future Texts: A New Look at Black Pop Culture Representation.” Cinema Journal, vol. 53, no 4, pp. 150-157. JSTOR, https://www.jstor.org/stable/43653683.
- Cannon, Danny, 1998. I Still Know What You Did Last Summer. Sony Pictures Releasing.
- Clark, Bob, 1974. Black Christmas. Warner Bros.
- Clover, Carol J, 2015. Men, Women, and Chainsaws: Gender in the Modern Horror Film. Princeton University Press.
- Craven, Wes, 1997. Scream 2. Dimension Films.
- Fleetwood, Nicole R., 2011. Troubling Vision: Performance, Visuality, and Blackness. University of Chicago Press. ProQuest Ebook Central. https://ebookcentral.proquest.com/lib/unc/detail.action?docID=713793.
- Gates, Racquel J., 2018. Double Negative: The Black Image and Popular Culture. Duke University Press. https://doi-org.libproxy.lib.unc.edu/10.1215/9781478002239
- hooks, bell, 2015. Black Looks: Race and Representation. Taylor & Francis Group. ProQuest Ebook Central. https://ebookcentral.proquest.com/lib/unc/detail.action?docID=1813137.
- Kuhn, Annette, and Guy Westwell, 2020. “slasher film.” A Dictionary of Film Studies. Oxford University Press. https://www-oxfordreference-com.libproxy.lib.unc.edu/view/10.1093/acref/9780198832096.001.0001/acref-9780198832096-e-0646.
- Lomax, Tamura, 2018. Jezebel Unhinged: Loosing the Black Female Body in Religion and Culture. Duke University Press, https://doi.org.libproxy.lib.unc.edu/10.1215/9781478002482
- Maron, Jeremy, 2015. “When the Final Girl is Not a Girl: Reconsidering the Gender Binary in the Slasher Film” Offscreen, vol. 19. no. 1. https://offscreen.com/view/reconsidering-the-final-girl
- Means-Coleman, Robin R., 2023 Horror Noire: A History of Black American Horror from the 1890s to Present. Second edition. Routledge.
- Mulvey, Laura, 1975. “Visual Pleasure and Narrative Cinema”, Screen, Volume 16, Issue 3, Autumn, Pages 6–18, https://doi-org.libproxy.lib.unc.edu/10.1093/screen/16.3.6
- Plotkin, Gregory, 2018. Hell Fest. Lionsgate.
- Ruby, Megan, 2020. "Chapter 89 Tokenism". Encyclopedia of Critical Whiteness Studies in Education. Leiden, The Netherlands: Brill, https://doi.org/10.1163/9789004444836_089.
- Schneider, Steven Jay, 1999. “Kevin Williamson and the Rise of the Neo-Stalker.” Post Script 19 (2) (Winter): 73-87. https://login.proxy.lib.duke.edu/login?url=https://www.proquest.com/scholarly-journals/kevin-williamson-rise-neo-stalker/docview/2142182/se-2.
- West, Alexandra, 2016. “Not in my Movie”: The 90s Slasher Cycle and Grrrl Power. Offscreen, vol. 20 no.7. https://offscreen.com/view/not-in-my-movie-the-90s-slasher-cycle-and-grrrl-power
- Wood, Robin, 2018. “An Introduction to the American Horror Film.” Robin Wood on the Horror Film: Collected Essays and Reviews, edited by Barry Keith Grant. Wayne State University Press. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/unc/detail.action?docID=5503310.
- Yu, Ronny, 2003. Freddy vs. Jason. New Line Cinema.