Résumés
Abstract
This essay draws on archival materials in the Harvest House fonds housed at Queen’s University (Kingston, Ontario) to recover and demystify the nature of Gwendolyn Moore’s formative work in French‑to‑English translation in the years 1970 to 1973. The essay responds to Jeremy Munday’s call to attend to the “ordinary” translator who did not gain prominence but whose work was nonetheless integral to the cultural fabric of her society. In focusing on Moore’s connection with Harvest House publisher Maynard Gertler and studying her role as the trailblazing translator of Yves Thériault and Anne Hébert, the essay argues that she became a key intermediary of cultural exchange in the early 1970s, when the Canadian government was yet in the process of formalizing a program of arts translation grants under the aegis of the Canada Council for the Arts. In essence, before translators had acquired professional standing within literary Canada, Moore conducted herself as a professional.
Keywords:
- Translation,
- Canada,
- Gwendolyn Moore,
- Maynard Gertler,
- Harvest House
Résumé
Cet article, qui s’appuie sur le fonds d’archives d’Harvest House conservé à l’Université Queen’s (Kingston, Ontario), vise à mettre en lumière et à démystifier le parcours de Gwendolyn Moore, traductrice du français à l’anglais, entre 1970 et 1973. Il répond aussi en quelque sorte à l’appel lancé par Jeremy Munday, invitant à se pencher sur le travail de la traductrice « ordinaire », qui, sans avoir atteint la notoriété, n’en a pas moins produit une oeuvre s’inscrivant dans le patrimoine culturel de sa société. Par le rapport qu’entretenait Gwendolyn Moore avec Maynard Gertler, éditeur fondateur d’Harvest House, et la dimension avant‑gardiste de son travail sur l’oeuvre d’Yves Thériault et d’Anne Hébert, la traductrice fut une intermédiaire culturelle de premier plan au début des années 1970, alors que le gouvernement canadien n’avait pas encore officiellement lancé son programme d’aide à la traduction littéraire, sous l’égide du Conseil des arts du Canada. En définitive, avant même l’acquisition par les traductrices et les traducteurs d’un statut officiel au Canada, on pouvait déjà qualifier Gwendolyn Moore de professionnelle de la traduction.
Mots-clés :
- Traduction,
- Canada,
- Gwendolyn Moore,
- Maynard Gertler,
- Harvest House
Parties annexes
Bibliography
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