Parties annexes
Bibliography
- Adler, Guido. 1909. “Über Heterophonie.” Jahrbuch der Musikbibliothek Peters für 1908: 17–27.
- Bhagwati, Sandeep and Jonathan Goldman. 2018. “De l’appropriation au dialogue : des rencontres ‘transtraditionnelles’ et leurs modalités.” Circuit, musiques contemporaines 28 (1) : 9–14. https://doi.org/10.7202/1044371ar. English translation : https://revuecircuit.ca/fr/article/1031-introduction-from-appropriation-to-dialogue.
- Coleman, Kwami. 2021. “Free Jazz and the “New Thing”: Aesthetics, Identity, and Texture, 1960–1966.” Journal of Musicology 38, no. 3: 261–295. https://doi.org/10.1525/jm.2021.38.3.261.
- Cooke, Peter. 2001. “Heterophony.” In Oxford Music Online. Oxford University Press.
- Deleuze, Gilles and Félix Guattari. 1983. “What Is a Minor Literature?” Translated by Robert Brinkley. Mississippi Review 11 (3): 13–33.
- De Souza, Jonathan. 2019. “Texture.” The Oxford Handbook of Critical Concepts in Music Theory, edited by Alexander Rehding and Steven Rings. Oxford University Press.
- Evangelista, José and Jonathan Goldman, eds. 2024. Heterofonía. Antología de textos. Generalitat Valenciana.
- Feld, Steven. 1988. “Aesthetics as iconicity of style, or ‘lift-up-over sounding’: Getting into the Kaluli groove.” Yearbook for Traditional Music 20: 74–113. https://doi.org/10.2307/768167.
- Gruber, Gernot, August Schmidhofer, and Michael Weber, eds. 2005. Mehrstimmigkeit und Heterophonie: Bericht zur Tagung in Wien, 11. Bis 12. Dezember 1999. Vergleichende Musikwissenschaft, Bd. 4. Lang.
- Pärtlas, Žanna. 2016. “Theoretical Approaches to Heterophony.” Res Musica 8: 44–72.
- Perlman, Marc. 2004. Unplayed Melodies: Javanese Gamelan and the Genesis of Music Theory. University of California Press.
- Stumpf, Carl. 1901. “Tonsystem und Musik der Siamesen.” In Id., Beiträge zur Akustik und Musikwissenschaft. Vol. 3. Johann Ambrosius Barth.
- Yu Wang, Anna. 2023. “What is the Difference Between Polyphony and Heterophony?: Music Theory Classifications as Instruments of Social Class-Making.” Paper presented at the Annual Meeting of the Society for Music Theory. Denver, CO.