John Deathridge. 2008. Wagner: Beyond Good and Evil. Berkeley: University of California Press. xiii, 302 pp. ISBN 978-0-520-25453-4

Sheridan, Daniel

doi:https://doi.org/10.7202/1003506ar

Adorno, Theodor W. 1992. Mahler: A Musical Physiognomy. Translated by Edmund Jephcott. Chicago: University of Chicago Press.

Google Scholar

Benjamin, Walter. 1977. The Origin of German Tragic Drama. Translated by John Osborne. London: New Left Books.

Google Scholar

Clément, Catherine. 1988. Opera, or, the Undoing of Women. Translated by Betsy Wing. Minneapolis: University of Minnesota Press.

Google Scholar

Foucault, Michel. 1972. The Archaeology of Knowledge & The Discourse on Language. Translated by A.M. Sheridan Smith. New York: Pantheon Books.

Google Scholar

Lee, M. Owen. 1999. Wagner: The Terrible Man and His Truthful Art. Toronto: University of Toronto Press.

Google Scholar

Magee, Bryan. 2000. The Tristan Chord: Wagner and Philosophy. New York: Metropolitan Books.

Google Scholar

Poizat, Michel. 1992. The Angel’s Cry: Beyond the Pleasure Principle in Opera. Translated by Arthur Denner. Ithaca: Cornell University Press.

Google Scholar

Shaw, George Bernard. 1981. “The Perfect Wagnerite: A Commentary on The Nibelung’s Ring.” In 1893–1950. Vol. 3 of Shaw’s Music: The Complete Musical Criticism in Three Volumes, ed. Dan H. Laurence, 408–545. London: Bodley Head.

Google Scholar

Silverman, Kaja. 1988. The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press.

Google Scholar

Spotts, Frederic. 1994. Bayreuth: A History of the Wagner Festival. New Haven: Yale University Press.

Google Scholar

Tomlinson, Gary. 1999. Metaphysical Song: An Essay on Opera. Princeton, NJ: Princeton University Press.

Google Scholar

John Deathridge. 2008. Wagner: Beyond Good and Evil. Berkeley: University of California Press. xiii, 302 pp. ISBN 978-0-520-25453-4[Notice]

Bibliographie

Parties annexes

Bibliographie

Outils de citation

Citer cet article

Exporter la notice de cet article