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Parties annexes
Note biographique
Julian STALLABRASS est écrivain, commissaire, photographe et conférencier. Il enseigne l’histoire de l’art au Courtland Institute of Art, et il est l’auteur de Art Incorporated publié chez Oxford University Press (2004) ; Internet Art: The Online Clash Between Culture and Commerce, Tate Publishing, Londres (2003) ; Paris Pictured, Royal Academy of Arts, Londres (2002) ; High Art Lite: British Art in the 1990s, Verso, Londres (1999) et Gargantua: Manufactured Mass Culture, Verso, Londres (1996). Il est coéditeur de Ground Control: Technology and Utopia, Black Dog Publishing, Londres (1997), Occupational Hazard: Critical Writing on Recent British Art, Black Dog Publishing, Londres (1998), et Locus Solus: Technology, Identity and Site in Contemporary Art, Black Dog Publishing, Londres (1999). Il rédige des critiques d’art dans diverses publications, dont Tate, Art Monthly et New Statesman. Il fait partie du comité de rédaction de Art History, New Left Review et Third Text. Il a été commissaire de la Brighton Photo Biennial en 2008, « Memory of Fire: Images of War and the War of Images ».
Parties annexes
Biographical note
Julian STALLABRASS is a writer, curator, photographer and lecturer. He is a professor of art history at the Courtauld Institute of Art, and is the author of Art Incorporated, Oxford University Press 2004, Internet Art: The Online Clash Between Culture and Commerce, Tate Publishing, London 2003; Paris Pictured, Royal Academy of Arts, London 2002; High Art Lite: British Art in the 1990s, Verso, London 1999 and Gargantua: Manufactured Mass Culture, Verso, London 1996; he is the co-editor of Ground Control: Technology and Utopia, Black Dog Publishing, London 1997, Occupational Hazard: Critical Writing on Recent British Art, Black Dog Publishing, London 1998, and Locus Solus: Technology, Identity and Site in Contemporary Art, Black Dog Publishing, London 1999. He has written art criticism regularly for publications such as Tate, Art Monthly and the New Statesman, and is an editorial board member of Art History, New Left Review and Third Text. He curated the 2008 Brighton Photo Biennial, ‘Memory of Fire: Images of War and the War of Images.’