Inspired by wuxia martial arts and film noir (Five Fingers of Death, Enter the Dragon, Kill Bill, The Warriors), the pace is relentless, moving quickly from scene to scene with unexpected twists, where the kit player trades off with the “virtual quartet”—pushing one another technically and sonically. The writing depicts the semiotics of the genres acoustically while analogue synths, cap guns, acoustic guitars in specific tunings, foot stomps, hand claps, and call-and-response vocalizations all become percussion instruments and visual enhancements. Panning, stereophony, and spatial treatments are carefully considered to evoke an immersive, sonic 3D, otherworldly experience. I have performed Katana of Choice by Nicole Lizée for almost a decade now and can confidently say it is my favourite piece to play. Starting with the premiere of Katana in its original form (2014) as a work for TorQ Percussion and me, to the solo version (2016) with pre-recorded track and video, I have played the piece at such notable events as the JUNO Classical Music Showcase (2019), Winnipeg New Music Festival (2022), and most recently the Rhythm in Music since 1900 conference at McGill (2023). Since my first premiere of Nicole’s music (Ringer, 2009) to Katana of Choice and with every new collaboration, I am linked to the rich history of the drumkit. I have recognized that this must remain at the core of my interpretation and performance of Nicole’s music while being open to new techniques and modes of expression. This has resulted in my own unique performance practice combining western classical performance, contemporary new music, and a broad range of drumkit techniques. Through over two decades of collaborations with Nicole Lizée, I’ve had the honour of bringing so much amazing music to audiences around the world. I’m forever grateful for each experience. Katana of Choice is Nicole’s perfect example of the unique evolution of the drum kit, the expressive potential that is possible today: it leaves us wondering what new ideas are still to come.
Lizée’s Katana of Choice (2014/2016)Ben Reimer, drumkit, with soundtrack and film[Record]
Ben Reimer has been called a “genre-bending wiz” (PuSh) and a performer of “stunning virtuosity” (Ludwig-Van Mtl). He has been a guest soloist in the CBC JUNO Showcase, the Bang On A Can Marathon, Winnipeg, Edmonton and Calgary New Music Festivals, Music on Main, Luminato Festival, Tapestry Opera, Open Ears Festival and others. He holds a Doctor of Music from McGill University and is a contributing author to the Cambridge Companion to the Drumkit. Ben was the Acting Principal Percussionist of the Winnipeg Symphony Orchestra (2024/25 season) and is a Sabian Cymbals, Yamaha Canada and Vic Firth artist.