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Notes de terrain

Performing Captivity, Performing Escape. Cabarets and Plays from the Terezín/Theresienstadt Ghetto, de Lisa Peschel[Record]

  • Jean-Philippe Michaud

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  • Jean-Philippe Michaud Université de Montréal Université de Montréal, ROR logoror.org/0161xgx34

Cover of Mémoire musicale et résistance. Autour du Verfügbar aux Enfers de Germaine Tillion, Volume 3, Number 2, 2016, pp. I-188, Revue musicale OICRM
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Online publication: June 6, 2019

URI
https://id.erudit.org/iderudit/1060113ar
DOI
https://doi.org/10.7202/1060113ar

A review of the journal Revue musicale OICRM

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Volume 3, Number 2, 2016, p. 165–169
Mémoire musicale et résistance. Autour du Verfügbar aux Enfers de Germaine Tillion

Tous droits réservés © Revue musicale OICRM, 2016