Abstracts
Abstract
In order to introduce the question of tbe « given » and of its elaboration with respect to the motifs of reduction, construction and destruction, we take as a point of departure the first courses of Heidegger at the University of Freiburg in the years 1919-1920. Framed by a sustained debate with the different figures of Neokantianism that occupied the forefront of the philosophical scene in Germany, Heidegger’s aim is to take up and to radicalize Husserl’s phenomenological enterprise indexed to intuition of an ultimate givenness, through the question : « Was heißt “gegeben”, “Gegebenheit” — dieses Zauberwort der Phänomenologie und der “Stein des Anstoßes” bei den anderen ? » This project of taking Husserl’s phenomenlogy will lead Heidegger to reopen the ongoing debate between Husserl and Natorp about the method of reconstruction vs. reduction. So we could venture the hypothesis, according to which the Heideggerian theme of Destruktion “destruction” or “deconstruction,” if it does inherit a sense from the Husserlian Abbau (destruction), from the de-sedimentation of accumulated strata that have come to obstruct the grasp of insight (Einsicht), this theme could all the same be understood as the taking up again — in a practical reversal — Rekonstruktion, Natorpian reconstruction.