Appendices
Bibliography
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- Benshoff, Harry M. 1997. Monsters in the Closet: Homosexuality and the Horror Film. Manchester: Manchester University Press.
- Berenstein, Rhona J. 1996. Attack of the Leading Ladies: Gender, Sexuality and Spectatorship in Classic Horror Cinema. New York: Columbia University Press.
- de Lauretis, Teresa. 2011. “Queer Texts, Bad Habits, and the Issue of a Future.” GLQ: A Journal of Lesbian and Gay Studies 17 (2–3): 243–263.
- Miller, Cain. 2024. “‘I Guess We’re All a Little Afraid of What We Love:’ Curtis Harrington and Queer Avant–Garde Horror.” Quarterly Review of Film and Video advance online: https://doi.org/10.1080/10509208.2024.2391149.
- Olufemi, Lola. 2021. Experiments in Imagining Otherwise. London: Hajar Press.
- Peirse, Alison. 2024a. “The History of Horror Film is a Feminist Audiovisual Archive.” [in]Transition: Journal of Videographic Film & Moving Image Studies 11 (3): https://intransition.openlibhums.org/article/id/16419/
- Peirse, Alison. 2024b. “How Not to Reproduce What We Inherit.” MAI: Feminism & Visual Culture 13 (Winter): https://maifeminism.com/how–not–to–reproduce–what–we–inherit/#
- Peirse, Alison. 2024c. “The Language of Rage.” Teknokultura: Journal of Digital Culture and Social Movements 21(1): 91–93, https://doi.org/10.5209/tekn.90544.
- Peirse, Alison. 2022. “Three Ways to Dine Well.” Tecmerin: Journal of Audiovisual Essays 10 (2), https://tecmerin.uc3m.es/project/three–ways–to–dine–well/?lang=en
- Peirse, Alison. 2013. After Dracula: The 1930s Horror Film. London: I.B. Tauris.
- Slee, Ellie. 2014. “Femininity and Costume in 1930s Horror.” Film, Fashion & Consumption 3 (1): 31–45.
- White, Patricia. 1999. unInvited: Classical Hollywood Cinema and Lesbian Representability. Bloomington, IN: Indiana University Press.