Appendices
Bibliography
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- Barone, Matt. 2012. “Found Footage Done Right: The Story Behind ‘Sinister,’ A Bleak, Truly Disturbing, First-Class Horror Movie.” Complex, October 11, 2012. https://www.complex.com/pop-culture/2012/10/sinister-ethan-hawke-scott-derrickson-behind-the-scenes-story.
- Carroll, Noël. 1987. “The Nature of Horror.” The Journal of Aesthetics and Art Criticism 46 (1): 51–59.
- Clover, Carol. 1992. Men, Women, and Chain Saws. Princeton: Princeton University Press.
- Derrickson, Scott. 2012. Sinister. Toronto: Entertainment One.
- Fisher, Mark. 2012. “What is Hauntology?” Film Quarterly 66, no. 1 (Fall): 16–24.
- Foy, Ciaran. 2015. Sinister 2. Toronto: Entertainment One.
- Grant, Barry Keith. 2013. “Digital Anxiety and the New Verité Horror and SF Film.” Science Fiction Film and Television 6 (2): 153–75.
- Jess-Cooke, Carolyn. 2012. Film Sequels: Theory and Practice from Hollywood to Bollywood. Edinburgh: Edinburgh University Press.
- Kord, T.S. 2016. Little Horrors: How Cinema’s Evil Children Play on Our Guilt. Jefferson, North Carolina: McFarland.
- Luckhurst, Roger. 2002. “The Contemporary London Gothic and the Limits of the ‘Spectral Turn.’” Textual Practice 16 (3): 527–46.
- Renner, Karen J. 2016. Evil Children in the Popular Imagination. New York: Palgrave Macmillan.
- Reyes, Xavier Aldana. 2015. “Introduction: Horror in the Digital Age.” In Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon, edited by Xavier Aldana Reyes and Linnie Blake, 1–11. London: I.B. Tauris.
- Scahill, Andrew. 2015. The Revolting Child in Horror Cinema: Youth Rebellion and Queer Spectatorship. New York: Palgrave Macmillan.
- Sobchack, Vivian. 1996. “Bringing It All Back Home: Family Economy and Generic Exchange.” In The Dread of Difference: Gender and the Horror Film, edited by Barry Keith Grant, 143–63. Austin: University of Texas Press.
- Wood, Robin. 2018. “An Introduction to the American Horror Film.” In Robin Wood on the Horror Film: Collected Essays and Reviews, edited by Barry Keith Grant, 73–110. Detroit: Wayne State University Press.