Abstracts
Abstract
This article documents the work of two Research-based Theatre practitioners. The two case studies featured were written in different cultures, for different purposes and audiences. However, both share some common elements. They feature marginalized and largely forgotten women. One tells of the plight of foreign domestic helpers in Singapore and East Asia. The second case documents the achievements of women painters whose contribution to the Australian en plein air movement has been undervalued. In both instances we included in our playwriting what we have come to refer to as research-informed fiction. The subject matter, the intended audience, and the real-life women on whom the plays were based necessitated including fictional elements into our respective plays.
Keywords:
- RbT,
- Women,
- Histories,
- Fiction
Résumé
Les deux études de cas ici présentées ont été écrites dans des contextes culturels différents, à des fins et pour des publics distincts. Ces études mettent en scène des femmes marginalisées et en grande partie oubliées. L’une raconte le sort des travailleuses domestiques étrangères à Singapour et en Asie de l’Est. La deuxième documente les réalisations de femmes peintres dont la contribution au mouvement australien de la peinture en plein air a été sous-évaluée. Dans les deux cas, nous avons intégré dans notre écriture dramatique ce que nous appelons désormais de la fiction appuyée par la recherche. Le sujet, le public visé, ainsi que les personnes réelles ayant inspiré les pièces ont nécessité l’intégration d’éléments fictifs dans nos créations respectives.
Appendices
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