Abstracts
Abstract
The rapid advancement of human knowledge and technology has positioned us to realize a new colonialism in outer space. Those with a concern for the future cannot afford to refuse outer space altogether, but must actively devise alternatives to the colonial or capitalistic, imagining a just and peaceful future for humanity beyond the Earth. In this paper, I present Afrofuturism, specifically a Black feminist Afrofuturism, as not merely an aesthetic, but a scholarly methodology capable of disrupting the supposedly inevitable and damned futures awaiting humanity in a colonized outer space. I propose three practices comprising a methodology of Black feminist Afrofuturism. Countermemory involves a willful act of refusing dominant colonial, patriarchal, or white supremacist myths, challenging their hegemony and excavating Black knowledge and experiences from beneath their desolate surface. Interdisciplinarity refuses the practice of knowledge generation in isolation and demands direct collaboration—knowledge created in community—to derive new insights and perspectives from the convergence of disparate practices of countermemory. The third practice, worldbuilding, is a speculative exercise undertaken through the deliberate action of imagining or engaging with new visions of the future through a Black feminist or similar critical lens. These imagined worlds of Black feminist Afrofuturism reveal themselves as the muse for the acts of creation which might influence the trajectory of humanity’s future in outer space, whether in the arts, academic research, public policy, or community organization.
Keywords:
- outer space,
- Black feminism,
- Afrofuturism,
- radical imagination,
- interdisciplinarity,
- worldbuilding
Résumé
Les progrès rapides des connaissances humaines et des technologies nous ont permis de concrétiser un nouveau colonialisme dans l’espace. Les personnes préoccupées par l’avenir ne peuvent pas se permettre de refuser catégoriquement tout ce qui concerne l’espace, mais doivent activement concevoir d’autres solutions à celles de nature coloniale ou capitaliste, en imaginant un avenir équitable et paisible pour l’humanité au-delà de la Terre. Dans cet article, je présente l’afrofuturisme et, plus précisément, un afrofuturisme afroféministe, comme une méthodologie ne se limitant pas seulement à l’esthétisme, mais comportant un aspect académique également capable de perturber les avenirs prétendument inévitables et condamnés qui attendent l’humanité dans l’espace colonisé. Je propose trois pratiques constituant une méthodologie afrofuturiste afroféministe. La contre-mémoire implique un acte volontaire de refus à l’égard de mythes coloniaux, patriarcaux ou suprémacistes blancs dominants, en remettant en question leur hégémonie et en mettant au jour les connaissances et les expériences de personnes noires qui étaient enfouies sous leur surface désolée. L’interdisciplinarité réfute la pratique de la création isolée du savoir et exige une collaboration directe, soit une création collective de savoir, afin de dégager de nouveaux points de vue et perspectives de la convergence de différentes pratiques de contre-mémoire. La troisième pratique, la construction d’un univers, est un exercice d’ordre spéculatif qu’on entreprend en agissant de façon délibérée pour s’imaginer ou discuter de nouvelles conceptions de l’avenir dans une optique afroféministe ou selon une approche analytique semblable. Ces univers imaginaires issus de l’afrofuturisme afroféministe s’avèrent une source d’inspiration pour les actes de création qui pourraient avoir une incidence sur la trajectoire que prendra l’avenir de l’humanité dans l’espace, que ce soit dans les arts, dans la recherche universitaire, dans les politiques publiques ou dans les organisations communautaires.
Mots-clés :
- espace,
- afroféminisme,
- afrofuturisme,
- imagination radicale,
- interdisciplinarité,
- construction d’un univers
Appendices
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