Résumés
Abstract
In this article I consider Mary Shelley’s use of figuration, examining its characteristic forms. In three main sections address her use of allegory, what I call the “infection of the metaphorical”, and the groundless metaphor. Shelley’s writing will be looked at in dialogic relation to her predecessors and contemporaries and her peculiar stylistics discussed in terms of her sceptical attitude toward, and undermining of Romantic idealism. There will be specific emphasis on her treatment of favourite Romantic projects - nature, writing the self and the perceiving mind. Shelley will be discussed both as revisionist and saboteuse in her attitude to language.
Parties annexes
Works Cited
- Abrams, M. H. (1953) The Mirror and the Lamp: Romantic Theory and the Critical Tradition. 2nd edition New York: W.W. Norton and Co. inc., 1958.
- Armstrong, Isobel. Language as Living Form in Nineteenth-century Poetry. Brighton: Harvester Press, 1982.
- Keats, John. Letters of John Keats. Ed. Robert Gittings. London: Oxford University Press, 1970.
- Mellor, Anne K. Romanticism and Feminism. Bloomington: Indiana University press, 1988.
- ———. Mary Shelley: Her Life, Her Fiction, Her Monsters. London: Routledge, 1989.
- Poovey, Mary. The Proper Lady and the Woman Writer. Chicago: University of Chicago Press, 1984.
- Rajan, Tilottama. “Between Romance and History: Possibility and Contingency in Godwin, Leibniz, and Mary Shelley’s Valperga” in Mary Shelley in her Times. Ed. Betty T. Bennett and Stuart Curran. Baltimore: John Hopkins University Press, 2000. 88-102
- Rossington, Michael. “Future Uncertain: The Republican Tradition and its Destiny in Valperga” in Mary Shelley in her Times. Ed. Betty T. Bennett and Stuart Curran. Baltimore: John Hopkins University Press, 2000. 103 - 118
- Shelley, Mary. The Fortunes of Perkin Warbeck. London: Henry Colburn and Richard Bentley, 1830.
- ———. (1831) Frankenstein. in Three Gothic Novels. Ed. Mario Praz. Middlesex: Penguin Books, 1986.
- ———. The Journals of Mary Shelley 1814-1844. Ed. Paula R. Feldman and Diana Scott-Kilvert. Baltimore: John Hopkins University Press, 1995.
- ———. (1826) The Last Man. London: Hogarth, 1985.
- ———. Mary Shelley’s Literary Lives and Other Writings. General ed. Nora Crook. Volume editors Tilar J. Mazzeo, Lisa Vargo, Clarissa Campbell Orr, Pamela Clemit, Arnold Markley. London: Pickering and Chatto, 2002.
- ———. Valperga or The Life and Adventures of Castruccio, Prince of Lucca. London: G. and W. B. Whittaker, 1823.
- Sterrenburg, Lee. “The Last Man: Anatomy of Failed Revolutions”. Nineteenth-century Fiction 33 (1978): 324 - 347.
- Thomas, Sophie. “The Ends of the Fragment, the Problem of the Preface: Proliferation and Finality in The Last Man” in Mary Shelley’s Fictions: From Frankenstein to Falkner. Ed. Michael Eberle-Sinatra. Basingstoke: Macmillan, 2000.
- Webb, Samantha. “Reading the End of the World: The Last Man, History, and the Agency of Romantic Authorship” in Mary Shelley in her Times. Ed. Betty T. Bennett and Stuart Curran. Baltimore: John Hopkins University Press, 2000. 119-133.