Résumés
Résumé
Cet article analyse un acteur méconnu des villes créatives : les collectifs créatifs. Les villes créatives s’articulent selon trois strates actives. Les firmes – upperground - absorbent les connaissances émergeant des activités créatives de la ville alors que les acteurs de l’underground explorent et proposent de nouvelles avenues créatives. Dans ce contexte, les collectifs créatifs du middleground assument une fonction d’intégration des connaissances et de transfert entre l’underground et l’upperground. À travers quelques exemples empiriques, la nature et les rôles de ces collectifs sont discutés, ainsi que les différents modes de relations qu’ils pourraient développer avec les firmes et leurs milieux.
Mots clés:
- Créativité,
- créativité située,
- ville créative,
- underground,
- collectifs
Abstract
In this paper, we analyze an unrecognized actor of the creative cities: creative collectives. We identify three active layers in the creative cities. Firms – the upperground – absorb knowledge emerging from the creative activities in the city whereas actors from the underground explore and suggest new creative ways. In this context, creative collectives from the middleground play a role of knowledge integration and transfer between the underground and the upperground. Through some empirical examples, we assess the nature and roles of those collectives, and discuss the various relationships they could develop with firms and their milieu.
Keywords:
- Creativity,
- situated creativity,
- creative city,
- underground,
- collectives
Resumen
Este artículo analiza a un actor desconocido de las ciudades creativas: los colectivos creativos. Las ciudades creativas se articulan según tres estratos activos. Las empresas - upperground - absorben los conocimientos que emergen de actividades creativas de la ciudad mientras los actores del underground exploren y propongan de nuevas avenidas creativas. En este contexto, los colectivos creativos del middleground asumen una función de integración de conocimientos y transferencia entre el underground y el upperground. A través de algunos ejemplos empíricos, la naturaleza y los papeles de estos colectivos son discutidos, así como los diferentes modos de relaciones que podrían desarrollar con las empresas y sus medios.
Palabras claves:
- Creatividad,
- creatividad sitúa,
- ciudad creativa,
- metro,
- colectivos
Parties annexes
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