Yves Gambier and Henrik Gottlieb (eds.). (Multi) Media Translation: Concepts, Practices, and Research, John Benjamins Publishing Company, 2001, 298 p.

The twenty-six articles, together with an introduction and an epilogue, are divided into three sections: “Concepts”, “Policies and Practices” and “Empirical Research”. Some topics tend to overlap, but each article offers a fascinating look at the various aspects of multimedia translation. Part One, titled “Concepts”, has seven articles in total. This section ponders the relationship between media and multimedia, verbal and multimedia translation, the links between text, images and sounds, the new models of communication, the new elements and parameters of translation for the cinema, video, television, CD-ROM, the Web, etc. Emphasis is placed on the need for Translation Studies to collaborate across many disciplines such as Communication Studies, Media and Film Studies, Cultural Studies, Information Sciences and Computer Sciences. Several papers, notably Patrick Cattrysse’s “Multimedia & Translation: Methodological Considerations” and Aline Remael’s “Some Thoughts on the Study of Multimodal and Multimedia Translation”, aim to define and conceptualise the commonly employed term multimedia. They examine the role of language and picture, and stress the need to think about translation during multimedia production. In his article “Simultaneous Interpreting for Television and Other Media: Translation Doubly Constrained”, Sergio Viaggio calls upon his models of verbal communication and mediation and relates them to the constraints, expectations, and developed norms of simultaneous media translation. Domingo Sánchez-Mesa Martínez’s article, “Hypertext and Cyberspace: New Challenges to Translation Studies”, discusses the practical and theoretical dimensions for translators working with multimedia forms such as virtual reality and hypertext. “Images of Translation” by Gregor Goethals and “Text and Context in Multimedia Translation” by J. Ritter Werner evaluate the relationship between text and images, and how the meaning is presented in diverse mediums. Both authors pull specific examples from the American Bible Society’s Multimedia Translation Programme. J. Ritter Werner describes the steps taken by his NewMedia team in translating a sacred text and preparing it for the World Wide Web. Both articles emphasize how the use of electronic media compels us to rethink the whole translation process and our categories and concepts of quality and fidelity. The final article in part one is titled “About Remakes, Dubbing & Morphing: Some Comments on Visual Transformation Processes and their Relevance for Translation Theory” by Karin Wehn. The author discusses the various non-linguistic modifications that a film or commercial might undergo during translation and adaptation to a target culture. Part Two, “Policies and Practices”, takes a more concrete approach to translation in current-day situations. Comprised of twelve articles, this section deals mainly with film and television translation. The first three articles are “Shooting in English? Myth or Necessity” by Anne Jäckel; “The Position of Foreign Languages in the Flemish Media” by Reine Meylaerts; and “Disentangling Audiovisual Translation into Catalan from the Spanish Media Mesh” by Patrick Zabalbeascoa, Natàlia Izard and Laura Santamaria. They focus on foreign language and English language domination in television. Each article also examines the translation choices and preferred practices in some countries. “Interpreter-Mediated TV Live Interviews” by Bistra Alexieva; “Conference Interpreters on the Air: Live Simultaneous Interpreting on Italian Television” by Gabriele Mack; and “Live Interlingual Subtitling” by Corien den Boer all discuss the strategies, techniques and difficulties associated with live on the air interpreting and subtitling. The standards, procedures, and practices for ensuring quality translations and subtitles are the topic of “Translation Quality. An Organizational Viewpoint” by Eivor Gummerus and Catrine Paro; “Quality Down Under” by Felicity Mueller; “Quality Control of Subtitles: Review or Preview?” by Heulwen James; and “Punctuating Subtitles: Typographical Conventions and their Evolution” by Clara Cerón. In her article “Subtitling for Channel 4 Television”, Hazel R. Morgan gives a very detailed account of …