Abstracts
Abstract
In this paper I discuss the significance of Simmel’s conception of death as presented in his capstone work Lebensanschauung (1918). I argue for Simmel death is the form of all cultural forms and that it has a transcendental, form-giving function for life in its concrete unfolding. I conclude with a brief examination of the thought of immortality and some suggestions about how Simmel’s conception of death has a bearing on current issues such as the increment of life-expectancy in developed countries.
Appendices
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