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PanoramiqueScripts

Langue, espace et (re)composition identitaire dans les oeuvres de Mehdi Charef, Tony Gatlif et Farid BoudjellalEssor d'une transculture[Record]

  • Denis Desjardins
Cover of Cemetery of Splendour, Number 301, March 2016, pp. 2-55, Séquences : la revue de cinéma
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Online publication: March 1, 2016

URI
https://id.erudit.org/iderudit/82415ac

A review of the journal Séquences : la revue de cinéma

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Number 301, March 2016, p. 37
Cemetery of Splendour

Tous droits réservés ©  La revue Séquences Inc., 2016