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Les filmsCritiques

Waste LandCe qu’on jette ne disparaît pasWaste Land : un documentaire sur l’art — Brésil / Grande-Bretagne[Record]

  • Julie Demers
Cover of Tendances du cinéma contemporain, Number 270, January–February 2011, pp. 1-64, Séquences
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Online publication: April 11, 2011

URI
https://id.erudit.org/iderudit/63664ac

A review of the journal Séquences

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Number 270, January–February 2011, p. 57
Tendances du cinéma contemporain

Tous droits réservés © La revue Séquences Inc., 2011