Some features and content are currently unavailable today due to maintenance at our service provider. Status updates

Book ReviewsComptes rendus

Rivoletti, Christian. Ariosto e l’ironia della finzione. La ricezione letteraria e figurativa dell’Orlando furioso in Francia, Germania e Italia[Record]

  • Johnny L. Bertolio

…more information

  • Johnny L. Bertolio
    University of Toronto

Cover of Comedy, Satire, Paradox, and the Plurality of Discourses in Cinquecento Italy, Volume 40, Number 1, Winter 2017, pp. 5-281, Renaissance and Reformation / Renaissance et Réforme
Read the full text

Online publication: Feb. 15, 2022

URI
https://id.erudit.org/iderudit/1086320ar CopiedAn error has occurred
DOI
https://doi.org/10.33137/rr.v40i1.28465 CopiedAn error has occurred

A review of the journal Renaissance and Reformation / Renaissance et Réforme

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Volume 40, Number 1, Winter 2017, p. 269–271
Comedy, Satire, Paradox, and the Plurality of Discourses in Cinquecento Italy

© Canadian Society for Renaissance Studies / Société canadienne d'études de la Renaissance; Pacific Northwest Renaissance Society; Toronto Renaissance and Reformation Colloquium; Victoria University Centre for Renaissance and Reformation Studies, 2017