Abstracts
Resumen
En su poesía, Diego Hurtado de Mendoza introduce referencias al silencio, lo que coincide con una búsqueda de la simplicidad estética y con la importancia del secreto en su misión de agente imperial. La preferencia por la sobriedad en el lenguaje poético se opone a la escasa contención que demuestra en la correspondencia dirigida al secretario de Carlos V, revelando la naturaleza retórica del silencio. Dicho motivo, asociado al autocontrol, considerado por Erasmo y Castiglione como la virtud fundamental del varón, permite a Mendoza combatir ansiedades relacionadas con su posición subordinada en la corte, facilitando el desarrollo de una subjetividad masculina plena.
Palabras clave:
- poesía renacentista,
- silencio,
- autocontrol,
- masculinidad,
- estética imperial
Abstract
In his poetry, Diego Hurtado de Mendoza introduces references to silence, which coincide with a search for aesthetic simplicity and signal the importance of secrecy for his mission as an imperial agent. The preference for sobriety in his poetic language opposes the lack of restraint demonstrated in his correspondence addressed to Charles V’s secretary, revealing the rhetorical nature of silence. This motive, associated with the notion of self-control which Erasmus and Castiglione considered the fundamental male virtue, allows Mendoza to fight anxieties related to his subordinate position in the court and facilitates the development of a fulfilled masculine subjectivity.
Keywords:
- Renaissance poetry,
- silence,
- self-control,
- masculinity,
- imperial aesthetics
Appendices
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