Staging the Commedia: Introduction

Ciabattoni, Francesco

doi:https://doi.org/10.33137/q.i..v45i1.45226

Ciabattoni, Francesco. Dante’s Performance: Music, Dance, and Drama in the “Commedia.” De Gruyter, 2024, https://doi.org/10.1515/9783111406497.

10.1515/9783111406497 Google Scholar

Eliot, T. S. “Dante.” In Eliot, The Sacred Wood: Essays on Poetry and Criticism. Alfred A. Knopf, 1921, pp. 144–155.

Google Scholar

Green, Dennis Howard. Medieval Listening and Reading: The Primary Reception of German Literature 800–1300. Cambridge UP, 1994, https://doi.org/10.1017/CBO9780511518720.

10.1017/CBO9780511518720 Google Scholar

Mazzotta, Giuseppe. “Theologia ludens: Angels and Devils in the Divine Comedy.” In Discourses of Authority in Medieval and Renaissance Literature. Edited by Kevin Brownlee and Walter Stephens, UP of New England, 1989, pp. 216–35.

Google Scholar

Webb, Heather. Dante, Artist of Gesture. Oxford UP, 2022, https://doi.org/10.1093/oso/9780192866998.001.0001.

10.1093/oso/9780192866998.001.0001 Google Scholar

Zumthor, Paul. La lettre et la voix: De la “littérature” médiévale. Le Seuil, 1987.

Google Scholar