Appendices
Bibliography
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- Badran, Rayya. “ ى.د.ص (Reverberation).” The Derivative. 20 July 2020. www.thederivative.org/reverberation.
- Bailey, Ann, and Imani Robinson. “Atlantic Railton: Live.” Sumayya Vally, Counterspace: Serpentine Pavilion 2021. Ed. Natalia Grabowska. Blackwell’s, 2021. 158–64.
- Chude-Sokei, Louis. “Re-Sonifying Nuremberg.” 2022. Poster.
- Clover, Catherine. “Projects.” www.ciclover.com/projects.html. 2022. Accessed 29 July 2022.
- Di Croce, Nicola. “Attuning to Disturbance: Towards a Multi-Species Sonic Ecology.” Sonic Urbanism: Listening to Non-Human Life. TM / &beyond Collective, 2021. 14–21.
- Kurda, Hardi. “Listening for Found Scores in a Crisis Time.” Unpublished manuscript, 2022.
- Listening With. “An exercise in aerialness.” Sonic Urbanism: Listening to Non-Human Life. TM / &beyond Collective, 2021. 43.
- L’Huillier Chaparro, Nicole. Membranas. PhD dissertation. Media Arts and Sciences, Massachusetts Institute of Technology, 2022.
- Safa, Mhamad. “Reverberations and Post-war Trauma: The Sustained Aftermath of Aerial Strikes on Lebanon in 2006.” Sound Studies 8.1 (2022): 73–99.
- Sun Kim, Christine. “How I became an artist: Christine Sun Kim.” Art Basel, 2022. www.artbasel.com/stories/how-i-became-an-artist-christine-sun-kim?lang=fr.
- Stoever, Jennifer Lynn. The Sonic Color Line: Race and the Cultural Politics of Listening. New York UP, 2016.
- Ultra-Red. 2012. Protocols for the Sound of Freedom. Whitney Biennial 2012. www.whitney.org/events/ultra-red-what-is-the-sound-of-freedom. Accessed 22 July 2022.
- Van Drie, Melissa, and Carla J. Maier. “Rhythming: a manifesto.” Sound Studies 8.1 (2022): 2–19.