Un-Sounding: A New Method for Processing Non-linguistic Poetry

Smith, Kristen

doi:https://doi.org/10.1353/esc.2020.a903559

Attali, Jacques. Noise: The Political Economy of Music. Trans. Brian Massumi. University of Minnesota Press, 1977.

Bennett, C. Mehrl. "An Examination of the Forces Behind Visual Poetry in the Past Decade." The Last vispo Anthology: Visual Poetry 1998–2008. Eds. Nico Vassilakis and Crag Hill. Fantagraphics, 2012. 199–202.

Google Scholar

Bergvall, Caroline. Drift. Nightboat Books, 2014.

Google Scholar

Bergvall, Caroline. "Drift – Performance for Spoken Voice, Electronic Text & Percussion." Caroline Bergvall. www.caroline-bergvall.com/work/drift-performance.

Google Scholar

Bergvall, Caroline. "Say: 'Parsley.'" Caroline Bergvall. www.carolinebergvall.com/work/say-parsley.

Google Scholar

Bernstein, Charles. Attack of the Difficult Poems. University of Chicago Press, 2011.

Google Scholar

Bernstein, Charles. Pitch of Poetry. University of Chicago Press, 2016.

Google Scholar

Bertoglio, Chiara. "Music as a Syntax of Time." Musical Scores and the Eternal Present: Theology, Time, and Tolkien. Pickwick Publications, 2021. 35–59.

Google Scholar

Camlot, Jason. Phonopoetics: The Making of Early Literary Recordings. Stanford UP, 2019.

Google Scholar

Cox, Christoph. "Every Sound You Can Imagine: On Graphic Scores." Audio Culture: Readings in Modern Music, revised edition. Eds. Christoph Cox and Daniel Warner. Bloomsbury, 2017. 307–312.

Google Scholar

Drucker, Johanna. Figuring the Word: Essays on Books, Writing, and Visual Poetics. Granary Books, 1998.

Google Scholar

Drucker, Johanna. Graphesis: Visual Forms of Knowledge Production. Harvard UP, 2014.

Google Scholar

Drucker, Johanna. "Not Sound." Perloff and Dworkin. 237–48.

Google Scholar

Drucker, Johanna. The Visible Word: Experimental Typography and Modern Art, 1909-1923. University of Chicago Press, 1994.

Google Scholar

Dworkin, Craig. No Medium. MIT Press, 2013.

Google Scholar

Dworkin, Craig. Reading the Illegible. Northwestern UP, 2003.

Google Scholar

Fitch, Andy, and Caroline Bergvall. "The Black Pages, the White Script, the Maps, the Constellations: Talking to Caroline Bergvall." Los Angeles Review of Books, blarb, 15 June 2018. blog.lareviewofbooks.org/interviews/black-pages-white-script-maps-constellations-talking-carolinebergvall.

Google Scholar

Gelb, Ignace J. "Principles of Writing Systems within the Frame of Visual Communication." Processing of Visual Language, vol. 2. Eds. Paul A. Kolers, Merald E. Wrolstad, and Herman Bouma. Plenum Press, 1980. 7–24.

Google Scholar

Goodman, Steve. Sonic Warfare: Sound Affect and the Ecology of Fear. MIT Press, 2010.

Google Scholar

"Graphic Scores." The Oxford Dictionary of Music. Eds. Joyce Kennedy, Michael Kennedy, and Tim Rutherford-Johnson. Oxford UP, 2013.

Google Scholar

Grosz, Elizabeth A. "Vibration: Animal, Sex, Music." Chaos, Territory, Art: Deleuze and the Framing of the Earth. Columbia UP, 2008. 25–62.

Google Scholar

Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, second edition. Chicago UP, 2010.

Google Scholar

Ihde, Don. Listening and Voice: Phenomenologies of Sound. State University of New York Press, 1976.

Google Scholar

Kaufmann, David. "David Kaufmann Reviews Caroline Bergvall's DRIFT." Asymptote. www.www.asymptotejournal.com/criticism/carolinebergvall-drift.

Google Scholar

LaBelle, Brandon. Acoustic Territories: Sound Culture and Everyday Life. Continuum, 2010.

Google Scholar

LaBelle, Brandon. Background Noise: Perspectives on Sound Art. Continuum, 2006.

Google Scholar

LaBelle, Brandon. Lexicon of the Mouth. Bloomsbury, 2014.

Google Scholar

LaBelle, Brandon. Site Specific Sound. Errant Bodies Press, 2004.

Google Scholar

LaBelle, Brandon. Sonic Agency: Sound and Emergent Forms of Resistance. MIT Press, 2018.

Google Scholar

LaBelle, Brandon, and Christof Migone, eds. Writing Aloud: The Sonics of Language. Errant Bodies Press, 2001.

Google Scholar

Leighton, Angela. Hearing Things. Harvard UP, 2018.

Google Scholar

Lipari, Lisbeth. Listening, Thinking, Being: Toward an Ethics of Attunement. Penn State UP, 2014.

Google Scholar

Malik, Tariq. "North Star Closer to Earth Than Thought." Space.com, 30 November 2012. www.www.space.com/18717-north-star-distance-measurement.html.

Google Scholar

mclennan, rob. "Eric Schmaltz, Surfaces." Rob McLennan, 29 July 2018. http://robmclennan.blogspot.com/2018/07/eric-schmaltz-surfaces.html.

Google Scholar

Mosconi, Joseph. Afterword. Surfaces, by Eric Schmaltz. Invisible Publishing, 2018.

Google Scholar

Novak, David, and Matt Sakakeeny, eds. Keywords in Sound. Duke UP, 2015.

Google Scholar

Perloff, Marjorie. "'Inner Tension/In Attention': Steve McCaffery's Book Art." Visible Language 21.2–3: 173–92.

Google Scholar

Perloff, Marjorie. Radical Artifice: Writing Poetry in the Age of Media. University of Chicago Press, 1994.

Google Scholar

Perloff, Marjorie. Poetics in a New Key: Interviews and Essays. Ed. David Jonathan Y. Bayot. University of Chicago Press, 2014.

Google Scholar

Perloff, Marjorie. Poetry On and Off the Page: Essays for Emergent Occasions. Northwestern UP, 1998.

Google Scholar

Perloff, Marjorie. Unoriginal Genius. University of Chicago Press, 2010.

Google Scholar

Perloff, Marjorie, and Craig Dworkin, eds. The Sound of Poetry/The Poetry of Sound. University of Chicago Press, 2009.

Google Scholar

Saper, Craig. "Concrete Poetry in America." Coldfront Magazine. 26 October 2015. www.web.archive.org/web/20190406080027/http://coldfront-mag.com/concrete-poetry-in-america.

Google Scholar

Schmaltz, Eric. "Information." Eric Schmaltz. www.ericschmaltz.com/about.

Google Scholar

Schmaltz, Eric. The Language Revolution: Borderblur Poetics in Canada, 1963–1988. 2018. York University, PhD Dissertation.

Google Scholar

Schmaltz, Eric. Surfaces. Invisible Publishing, 2018.

Google Scholar

Shankweiler, Donald. "Reading and Phonological Processing." Encyclopedia of Human Behavior, second edition. Elsevier, 2012. 249–56.

Google Scholar

Snaith, Anna, ed. Sound in Literature. Cambridge UP, 2020.

Google Scholar

Solt, Mary Ellen. Concrete Poetry: A World View. Indiana UP, 1968.

Google Scholar

Solt, Mary Ellen. "Moonshot Sonnet." 1964. Concrete Poetry: A World View. Indiana UP, 1968, back cover.

Google Scholar

Solt, Mary Ellen. "New Visual Poetry." Concrete Poetry—A World View: The New Visual Poetry. ubuweb. www.ubu.com/papers/solt/new_vis_po.html.

Google Scholar

Sterne, Jonathan. Audible Past: Cultural Origins of Sound Reproduction. Duke UP, 2003.

Google Scholar

Sterne, Jonathan. "Hearing." Novak and Sakakeeny. Keywords in Sound. 65–77.

Google Scholar

Sterne, Jonathan. Sound Studies Reader. Taylor and Francis, 2012.

Google Scholar

Suisman, David, and Susan Strasser. "Thinking Historically about Sound and Sense." Sound in the Age of Mechanical Reproduction. University of Pennsylvania Press, 2010. 1–12.

Google Scholar

Toop, David. Ocean of Sound: Ambient Sound and Radical Listening in the Age of Communication. 1995. Serpent's Tail, 2018.

Google Scholar

Toop, David. Sinister Resonance: The Mediumship of the Listener. Continuum, 2010.

Google Scholar

Trower, Shelley. Senses of Vibration: A History of the Pleasure and Pain of Sound. Continuum, 2012.

Google Scholar

Whittle, Mark. "The Sound of the Microwave Background." American Astronomical Society 36 (May 2004): 984.

Google Scholar

Un-SoundingA New Method for Processing Non-linguistic Poetry[Record]

Bibliography

Appendices

Bibliography

Citation Tools

Cite this article

Export the record for this article