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Book/Media Reviews

Crossing Bar Lines: The Politics and Practices of Black Musical Space by James Gordon Williams[Record]

  • Ajay Heble
Cover of Emergent and Convergent Scholar-Practitioner Worlds: Improvisation and Social (In)Justice, Volume 16, Number 1, 2025, Critical Studies in Improvisation / Études critiques en improvisation
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Online publication: Sept. 23, 2025

URI
https://id.erudit.org/iderudit/1120198ar
DOI
https://doi.org/10.21083/csieci.v16i1.7195

A review of the journal Critical Studies in Improvisation / Études critiques en improvisation

This article is a review of another work such as a book or a film. The original work discussed here is not available on this platform.

Volume 16, Number 1, 2025, p. 1–3
Emergent and Convergent Scholar-Practitioner Worlds: Improvisation and Social (In)Justice

© Ajay Heble, 2025

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