Abstracts
Abstract
On May 31, 2023, we showcased the Feminist XResistance project at the Women and Gender Studies et Recherches Féministes (WGSRF) conference under the apt thematic “Take Back the Future.” The project started on July 9, 2022, when a group of international, interdisciplinary, early career feminist scholars convened on Zoom for the Feminist Digital Methods (FDM) Drop-in Virtual Lab hosted by York University’s Centre for Feminist Research (CFR). The drop-in took place two weeks after the United States Supreme Court overturned the constitutional right to an abortion and became a digital space to express our fears and anger over rising gender essentialist fascism, worries about the future, and to imagine feminist digital methods for resistance. In this reflection and commentary, we share our observations and processes for the Feminist XResistance project, starting with our first exploratory workshop, our co-creative analysis and outputs, the development of our AR installation, and, finally, our conclusions and insights.
Keywords:
- activism,
- augmented reality,
- digital methods,
- embodied resistance,
- embodiment,
- extended reality,
- feminism,
- feminist community,
- feminist resistance,
- interdisciplinary,
- research-creation
Résumé
Le 31 mai 2023, nous avons présenté le projet féministe XResistance lors de la conférence Women and Gender Studies et Recherches Féministes (WGSRF) qui avait pour thématique « Take Back the Future » (Se réapproprier l’avenir). Le projet a débuté le 9 juillet 2022, lorsqu’un groupe de spécialistes féministes internationaux issus de différentes disciplines et en début de carrière, s’est réuni sur Zoom dans le cadre du Feminist Digital Methods (FDM) Drop-in Virtual Lab organisé par le Centre de recherches féministes (CFR) de l’Université York. La rencontre a eu lieu deux semaines après que la Cour suprême des États-Unis a renversé le droit constitutionnel à l’avortement et est devenue un espace numérique dans lequel nous avons pu exprimer nos craintes et notre colère face à la montée du fascisme essentialiste fondé sur le genre, nos inquiétudes quant à l’avenir, et imaginer des méthodes numériques féministes de résistance. Dans cette réflexion et ce commentaire, nous communiquons nos observations et processus dans le cadre du projet féministe XResistance, en commençant par notre premier atelier exploratoire, notre analyse cocréative et nos réalisations, la création de notre installation de réalité augmentée et, enfin, nos conclusions et réflexions.
Mots-clés :
- militantisme,
- réalité augmentée,
- méthodes numériques,
- résistance personnifiée,
- personnification,
- réalité étendue,
- féminisme,
- communauté féministe,
- résistance féministe,
- interdisciplinaire,
- recherche-création
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Appendices
Biographical notes
Galit Ariel is an award-winning researcher, author, and new media artist exploring the wild & imaginative side of bleeding-edge technologies. Galit is a creative technologist and PhD candidate at York University, where her “Biodigital Being(s)” research-creation project explores how embodied technologies, culture, and politics forge new body fictions. She is part of the Feminist Digital Methods Research Cluster, a graduate research fellow in York’s Sensorium Centre for Digital Arts and Technology, and the recipient of the OGS Scholarship and the Susan Mann Dissertation Excellence Scholarship. Galit authored the book Augmenting Alice: The Future of Identity, Experience and Reality (BIS Publishing); her critical writing appeared as articles and book chapters in Humanity-in-between and Beyond (Springer Nature Volume on Posthumanism), Atlantis: Critical Studies in Gender, Culture & Social Justice, Global Perspectives (University of California Press), DAMN Magazine, Wired, and more. Galit’s creative work spans across location-based Augmented Reality art, subversive animation, speculative interactions, and art curation. Her work was presented as public art installations in international film & animation festivals and academic conferences, including the Dutch Design Week (EU), Opera Beyond (FI), Digital Arts Resource Center (CA), TED (US), The European Union (FI), the Humanities Congress (CA), HASTAC (US), and the International Symposium of Electronic Arts (Australia).
Sarah York-Bertram (she/they) is a historian, a qualitative researcher, a recent graduate of York University’s Gender, Feminist, and Women’s Studies doctoral program, and is currently an H. Sanford Riley Postdoctoral Fellow at the University of Winnipeg. Their postdoctoral research is a history of emotions examining the affective basis of judgments and narratives surrounding sexual commerce during Canada’s westward expansion in the nineteenth century and western Canadian colonial worldmaking in the twentieth century. Sarah has sixteen years experience in intersectional, transnational, and community-based feminist research and twelve years experience in queer and feminist digital methods. She is a member of York University’s Centre for Feminist Research’s Feminist Digital Methods Research Cluster. Sarah is a settler born in Treaty 6 territory and the Homeland of the Métis in what is currently called Saskatchewan. Currently, Sarah lives in St. Catharines, Ontario which is the traditional territory of the Haudenosaunee and Anishinaabe peoples. St. Catharines is covered by the Upper Canada Treaties and is within the land protected by the Dish with One Spoon Wampum Agreement.
Kacie G. Hopkins (she/her) is a PhD Candidate with expertise in community economies, feminist social enterprises, and geographies of rural women’s handmade crafts and creativity. She studies in the Communication and Cultural Studies program at York University and Toronto Metropolitan Universities. She is also a storyteller, creative writer, artist/ textile designer, and social entrepreneur. She is a member of global research networks such as: The Community Economies Research Network, Rural Women’s Studies Association, Women, Gender and Social Justice, and Canadian Association for Studies in Co-operation. Outside of her PhD studies she is active in the social enterprise, Wildflower Enterprises at WildflowerConnection.com, that she and her twin sister founded to connect rural women through crafting, design, and empowerment services. She is an advocate for ethical trading of fashion and continues to write on ethical fair trade practices, specifically decolonizing the fair trade field through ethical and decolonial storytelling and marketing and advocating against toxic charity structures. Further she is a survivor advocate and worked with the YWCA, National Sexual Violence Resource Centre, and Pennsylvania Coalitions Against Rape and Domestic Violence. She is passionate about lifting survivor voices and working on survivor centered and trauma informed pedagogies and approaches to social change.
Aparajita Bhandari is an assistant professor of Critical Digital Studies at the University Waterloo’s Department of English Language and Literature. She previously completed her SSHRC-funded doctoral research in the Department of Communication at Cornell University where she was a member of the Social Media Lab. Aparajita’s current work sits at the nexus of critical internet studies and feminist media studies engaging in critical examinations of social media platforms with a focus on understanding instantiations of everyday or mundane online experiences as potential sites of resistance against hegemonic power. Her interdisciplinary research has been published in top-tier journals such as New Media & Society, Social Media + Society, Communication, Culture and Critique, and Big Data and Society.
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